McDermott’s 2 Hours v Levellers: Disorder

Brighton based McDermotts Two Hours are 80’s UK folk rock legends and also one of the most influential bands on the scene – so influential infact that The Levellers are constantly tipping their hats collectively in McDermotts direction. During the 90’s the band went on hiatus but in 2000 Levellers bass player Jeremy Cunningham persuaded McDermott’s signer Nick Burbridge to start recording again under the McDermotts Two Hours moniker. Joining Nick was fellow McDermott, fiddler Tim O’Leary and Levellers, Jeremy Cunningham and Charlie Heather (drums).

Disorder is the third collaborative with members of The Levellers (though the first I’ve heard) and it’s a very polished and passionate effort, the music is solid Celtic influenced folk-rock with a distinctly English (I don’t meant that in a bad way at all, The Levellers defined the English folk-rock sound and McDermotts defined the sound of The Levellers) fokie feel. The lyrics are very political yet never preachy though always thought provoking. Good stuff

November 2004

http://www.burbridgearts.org/

The Town Pants: Weight of Words

“Weight of Words” is the third outing by Vancouver based Celtic-Folk group – The Town Pants – and the first with new fiddler, Virginia Schwartz (if there is ever a case of Beauty and the Beasts it’s here). The music is still the same spunky and infectious Irish/Scottish influenced folk as before but now with the addition of Virginia we have a touch of an alt-country to the sound. Standout tracks included – “The Old Landlord”, “Breakfast with St. Swithin” (originally by Jimmy George) and the very mushy “Ships made of Wood”.

November 2004

http://www.thetownpants.com/

Fairport Convention: Over the next Hill

By strictly unofficial count this is Fairport’s 30th studio release. While not their most impressive release in recent years (in fact, it could be said that this is their most lackluster effort of the last 15 years or so) this album is still reflective of the perseverance and willingness to adapt that this band has adopted for decades. For those inquisitive few who’ve heard the name repeatedly but were never formally introduced to this band, Fairport have been in existence since 1967 and in ’69 introduced to the world a brand new genre of music called British folk-rock via their seminal album LIEGE AND LIEF. That, in turn, opened the door for Irish folk-rock, thanks to (then) fiddler Dave Swarbrick’s inclusion of the occasional Irish jig in his repertoire. Well, 35 years have since passed and this band is still legit. This may not be to the liking of strict alternative and punk folkers, as this is more accurately described as acoustic-based folk rock. However, every release in Fairport’s vast catalog is noteworthy simply because they have never slipped into the dark and outlandish abyss that many of their contemporaries have experienced in desperate efforts to appear relevant. Anchored by longtime bassist Dave Pegg and guitarist Simon Nicol, Fairport has most recently added multi-stringed instrumentalist Chris Leslie to the family. He compliments fiddler Ric Sanders nicely and has filled the role of chief songwriter as well. Highlights in clued the instrumental “Canny Capers,” the upbeat “Willow Creek” and the country-tinged “Westward.”

November 2004

Review By: Dave Sleger

Enter the Haggis: Casualties of Retail

Like much of the folk-rock emanating from Canada, Enter the Haggis combines a smorgasbord of influences like country, bluegrass, Scottish folk and alternative rock. This is their fourth release and most assuredly won’t disappoint their growing legions of North American fans. Similar in sound to Slainte Mhath, Enter the Haggis incorporates a heavier electric guitar and bass than their compatriots. In fact, at times their aggressive electric vibe brings to mind what Muse might sound like if they included folk instruments. Listen to “Gasoline” and “Martha Stuart” for insight into this outrageous analogy. “Minstrel Boy” will likely appeal to folk-punkers given its fuzzy, distorted rhythm guitar. More importantly Enter the Haggis should satisfy both alternative and mainstream Celtic-rockers alike as it forwards elements from across the Celtic-rock spectrum. CASUALTIES OF RETAIL is definitely one of the finest and most interesting releases of 2004.

November 2004

Review By: Dave Sleger

Saint Bushmill’s Choir: Saint Bushmill’s Choir

I’ve been waiting for something new from Saint Bushmill’s Choir since 2000, when they released their first EP (That I know of) “Give ‘Em Enough Booze”. It only contained a 5 songs, but it did the job as far as I was concerned. Containing former members of Seattle punk bands such as The Gits, Subvert, Alcohol Funnycar, and The Pinkos, Saint Bushmill’s Choir is a band that quite simply enjoys playing the songs that they play. In fact, if you’re ever in Seattle and get a chance to seem them live, make sure you do it, because they only play a couple of times a year, and you’ve seriously gotta be in the right place at the right time. Known to the world as a “Clash band that likes to play Pogues songs”. The Choir formed back in 1994 (Before celt-punk was cool) on a drunken dare, and by all accounts, I’d have to say the mission has been accomplished. So far, they have only been responible for 15 injuries. Oh yeah, for those of you keeping track, the total drinking time of the album clocks in at 51:31, and contains 14 fan-fucking-tastic tracks.(4, or maybe it was 5 of them previously appear on the now hard to find “Give ‘Em Enough Booze” EP)

Check out their website more answers to this “mystery band from “Capital Hill” Don’t forget to click on the big red letters in the middle of the page for bonus coverage. By far, this is my pick for album of the year. In fact, the Saint Bushmill’s Choir are one of my all time favorite Celt-punk bands. They just do everything so perfectly, they don’t try to hard to sound “ethnic” or “Irish” or whatever, and even better than that, they don’t care what you fucking think either way.They’ve been though the whole game before in previous bands. It’s really quite simple, they just enjoy having a few pints & playing traditional songs the way they wanna play them, and what else can possibly top that?

1.Molly Maguires
2. Goddamn Shame
3. The Secret Set
4. Mineshaft
5. Three Jigs
6. Whiskey In The Jar
7. Just To Get Away
8. The Greenland Whale Fisheries
9. Three Polkas
10. The Leaving Of Liverpool
11. Black & Tans
12. Sam Hall
13. John Hardy
14. The Foggy Dew

November 2004

Review By: “Barnacle” Brian Gillespie

http://www.saintbushmillschoir.com/

Toad In The Hole: Alleyway Rover

One thing about the Pacific Northwest (& anywhere else for that matter) that always irritates me are all those new-age, tarot card reading bands, that dress up like medeval pixies and play “celtic” music. I don’t care about star signs, & colored rocks, or whatever. I care about the music, I care about the jigs, reels, & ballads. Maybe I’m just an asshole, or maybe I just can’t stand Tarot cards.Either way, I’ll worry about that later, because I should probably start reviewing the album “Alleyway Rover” I received from the band Toad In The Hole.

Now I may be wrong, but I think the band Toad In The Hole, may be named after the traditional dish of the same name that contain sausages in a Yorkshire pudding mix. Hailing from the Eugene, Oregon, Toad In The Hole play the type of music I do enjoy… A high-energy mix of rowdy post-Poguesish originals, traditional jigs and reels, and heartfelt ballads. Formed in 2001, Toad In The Hole’s second album, “Alleyway Rover” is a very fine album indeed. The sound is produced just about right, and the music itself flows along nicley like a continuous flow of whisky into a pint glass. Now if that description doesn’t grab your attention, I don’t know what will.

I haven’t had enough time to review the lyrics, but some common subjects include: drinking, Ireland, Scotland, Cuchulainn, & have I mentioned drinking yet? I hear some Robert Burns influences in songs like “Raise A Glass” and “Bonnie Doone” (A Burns original). A little “Sally MacIellanne” influence in “Kiss The Ruddy”. I should mention that in the medley “Warhorse” you’ll hear a nice little ditty from Flogging Molly’s “Black Friday Rule”. So as you can tell, there’s some great stuff here. I agree with the lyrics in the last track “Druthers” I won’t give away the story, but I will say that I can’t stand bourbon! Click here for the lyrics to “Druthers”

Musically, Toad In The Hole is top-notch. I could sit and listen to them for hours, and the next time they roll though town, I most likely will! Some of the traditionals include: Congress Reel, Hunter’s Purse, After The Battle Of Aughrim, Bunch Of Keys, Red-Haired Boy, Toss The Feathers, Mick Maguire, and many, many more!

Here’s what the bio on their website says: The compelling voice and style of founder and lead singer Matthew Hayward-McDonald bring a unique presence to the stage. The accessible and finely crafted lyrics are enhanced by accomplished vocal accompaniment that often utilizes four-part harmony. Guitarist Jason Kelly (Used to play in the Eugene ska band, The Varicoasters, and in a jug band where he met Matty) plays with driving rhythm and technical finesse that serves as a solid base for this lively music.Kathryn Claire sings and plays fiddle with grace and charm that draws the audience in and leaves them spellbound. This is beautifully complimented by the nimble fingers of Liz Myers whose musical versatility includes soaring tin whistles, flute and crowd pleasing bagpipes. Driving the rhythm is bass player Jon Dresdner (Used to be in the band Sodajerk) and bodhran player Joel Kenney. Dresdner’s rich tone adds fullness to the sounds and his dynamic bass lines create the backbone to the music. Kenney’s energetic and lively playing is as fun to watch as it is to hear. The high energy and versatility of Toad in the Hole may at one moment bring you to tears and at the next moment have you dancing a jig with the best of them.

Check these guys out. It’s some quality stuff. If someone has a copy of their first album, “Piss Away Your Charms” lemme know!

November 2004

Review By: Brian “Pissin’ in the Bourbon” Gillespie

The Peelers: Liquordale

I know this album has previously been reviewed here awhile ago, but it’s too fucking good to only have had one S’n’O review! One of the biggest surprises all year, I will simply call “Liquordale” an epic album. I knew after hearing their 1st mini-album “Boots & Suits” that these guys were good, but damn, I had no idea they’d be this good!! On “Boots & Suits” they mainly played traditionals and random Pogue covers. You could tell that The Peelers were a talented band still trying to develop their own distinct sound. I remember there was an original on that album that had me begging for more. Well, my wish has finally been granted.

“Liquordale” Opens up with one of my favorite instruments, the Uilleann pipe. Imagine bowing your head and taking a moment of silence while you listen to the smooth sound of the elbow pipe, when suddenly, on “The Glen Will Rise Again” the galloping drums kick in and next thing you know, you’re running halfway up the wall, and slamming into everything in sight! Your dog starts barking at you, and snaps at that favorite hard-to-find Pogues T-shirt you’re wearing, before you finally calm down and return to a normal sane level of reality, and remind the dog to only bark & snap at the jackass neighbor kids across the street who enjoy asking me on a daily basis what I think of that watered-down pop-punk band, A Simple Plan…(For the record, They fucking suck, now quit talking to me, and wait patiently for your fucking school bus!) Err–Sorry ’bout that! Back to the album review…

The third track, “Katie Bar The Door” Has more or less, a nautical theme regarding coffin ships bound for Australia. Another standout is “The Sons Of Molly” obviously a Molly Maguire song that blends into “Catharsis” that for the record contains some kick ass fiddle work that had me stomping my foot so hard, I had to board up the hole I made in the floor. The thing I really noticed about the new version of “I’ll Meet You At The Bottle Of A Bottle” is how quickly these guys are becoming a top-notch Celt-Punk band. It probably helps that the main man behind the band, Dave Barton, was raised on a steady diet of The Pogues & The Clash. Not to leave any of the other band members out, the entire band sound about as tight as a ducks ass floating down some white water rapids 3 minutes after those jackass neighbor kids gave it an alka-seltzer.. Err– sorry ’bout that…

The Peelers do a great version of the traditional ditty, “The Little Beggarman” I especially enjoyed the squeezebox. On the tenth track, “Savannah (You’ve Been Good To Me)” I couldn’t agree more! After spending some time down there recently, I agree completely! (No, I don’t work for the Savannah Chamber Of Commerce, but if you’ve never been to “The Jewel of the South” before, I HIGHLY recommend checking it out!) On St. Paddy’s Day, Savannah grows from 200,000 to well over 450,000, claiming to hold the nation’s 2nd largest (per capita) Paddy’s Day festivities. It might just be southern folklore, but fuck it, the place is great anyway. Lyrically, my favorite track has to be “Plastic Paddy” Which is basically a song about being a drunken plastic paddy. Great stuff indeed.

So there you have it, The Peelers great album “Liqourdale”. An album so great it had to reviewed twice for Shite’n’Onions! If that doesn’t give you at least some sort of clue that this album is worth it, then maybe you should smack yourself silly in the face with a bat that has a crooked rusty nail sticking out of it and read this review again. Better yet, let me do it. Because after I raise the Jolly Roger flag & chase those jackass neighbor kids away from my front lawn with an 18th century cannonball blast I attached to my porch, I’ll be all warmed up & ready to go!

November 2004

Review by: Brian “Grumpy Neighbor” Gillespie

The Popes: Release The Beast

Just a quick review here. The Popes (Without Shane) have released a double album. Disc 1 is live. Disc 2 is the previously released “Holloway Boulevard”. Don’t know about you, but I already have the fantastic “Holloway Boulevard” and I have a few bootlegs of The Popes, so this album wasn’t exactly a priority. If you never got around to buying “Holloway Boulevard” the first time around, now is a good time to do so, cuz with the additional live album it’s more than worth it.

November 2014

Review by: Brian Gillespie

The Duncan McFarlane Band: Woodshed Boys

My weakness has always been English folk music. Everything from English folk-rock, to traditional English folk, I know next to nothing! (Some people would say Ewan MacColl is English folk, but like Duncan McFarlane, his folks were from Scotland.) ,Anyway, I’m quite thankful a little ditty came in the mail from Leeds to help me expand my musical horizons. To explain the Duncan McFarlane Band’s sound goes something like this: Roaring Jack walks into a pub & meets Warblefly for a few pints, then decide to leave together to watch a Fairport Convention gig. It also helps that Alistair Hulett, (Roaring Jack) contributes to the vocals on half a dozen tracks. Add on top of that, contributions from ex-Battlefield Band member, Alistair Russell, and you have your self some talented Alistairs here.

Even though this is the debut album from the band, Mr. McFarlane has been around since the early 70’s. In 1974 he formed a pub-rock/college circuit band called Luigi Ana Da Boys, and caught the ear of the late, great, John Peel. The song “Feeling The Ceiling” received some decent airplay on BBC Radio One. After playing in numerous bands, such as: Sharp Practice, A New Opera, & Another Way. Duncan retired from the rock circuit in 1994, (Due to back problems) and within a year started attending various folk festivals.(No need to carry amps!)

The album, “The Woodshed Boys” contain twelve tracks, & the running time clocks in a roughly sixty minutes. Stand out tracks include: “Bring ‘Em Down”, “The Woodshed Boys”, “Canadee-I-O” & “A Jug O This”. The album can be heard on the BBC, and other radio stations across Britain. (So when you’re not listening to the Shite’n’Onions radio station, tune into BBC and check them out.) For more detail on the lyrics to “The Woodshed Boys” & other albums, check out the website

November 2014

Review by: Brian Gillespie

Jackdaw: Triple Crown

I was a big fan of Jackdaws last CD – “Jackdaw” – so to be honest the follow-up “Triple Crown” is a bit of a disappointment. Don’t get me wrong, it’s a top shelf album of Celtic-Rock, it’s just that the guitars (and bag pipes) seem to be missing in the mix. Imagine Malcolm Young being replaced by The Edge – yeah you get my drift.

November 2014

Potato-eating, Whiskey-drinking, Bog-trotting, CELTIC PUNK ROCK