Tag Archives: The Bloody Irish Boys

Shite’n’Onions at 21

It’s hard to believe but Shite’n’Onions is about to hit the legal drinking age – that’s 21 for anyone not in the USA. Shite’n’Onions was started because I couldn’t find anything about Celtic-punk in one place on the web. The original inspiration was a paper zine called BROADSIDE that features folk-punk. Having some basic HTML skills I decided to replicate online. Grabbing some CDs from my collection I reviewed them and posted the reviews. Next, I wrote to various Celtic-punk bands and, asked them to send in music to review and to my delight bands like The Mahones and The Town Pants did. Here Shite’n’Onions was officially born. Over the years, on top of hundreds of reviews, Shite’n’Onons has released two Celtic-punk compilations CDs, a split CD, watched the death of CDs as a medium, released two vinyl albums by legendary Irish punk band The Radiators from Space as well as a Celtic-punk tribute to Horslips.

To celebrate the big 21 I wanted to give a shoutout to some great bands that unfortunately flew under the radar of most folks but deserved to be heard and enjoyed by way more people. 

Catgut Mary is from Sydney Australia. (I think they are still going) and featured future founding member of The Rumjacks, Will Swan. Very similar to The Rumjacks, just maybe a little more rougher and gruffer. Only one full-length album,  BOURBON & BLACK PORTER, was released as well as a split EP with The Mahones that Shite’n’Onions put out. BTW if anyone has a copy of  BOURBON & BLACK PORTER that they want to part with let me know. 

The Bloody Irish Boys. Initially a one-man band for their (his) first album, Drunk Rock, with a sound that was just a little too close to Flogging Molly they became a Myspace sensation. The second album, Auld St. Patrick (2011), saw the Bloody Irish Boys become a full band and it’s a bloody great album. 

The Fisticuffs from the southside of Chicago followed in the steps of The Tossers and showed huge potential. Three studio albums of supercharged, attitude-filled DIY Celtic-punk were released with the last release, You’ll Not Take Us Alive, coming out in 2011. I’m not sure if they are still going or not but they have been quiet.

Nogoodnix. From update NY. Nogodnix released one album Pub Punx United in 2001. Punk with touches of Irish. They contribute Angelina to our Shite’n’Onions volume 1 comp.  

Hailing from the blue-collar, Irish American enclave of South Buffalo, New York, came Jackdaw. I thought these guys were going to be huge. Raw, nail spitting, in-your-face rock’n’roll ala classic AC/DC with bagpipes, tin whistle and accordion. The band built a huge following in their hometown, winning best of Buffalo four times. The band self-released four albums and, killed live.

Big Bad Bollocks was one of the earliest Pogues-inspired bands on the US scene. Based in western Massachusetts but fronted by English ex-pat Johnny Allen the Bollock had a certain north of England Ah-up charm and a love for whiskey in their tea.

The Skels. Despite near God-like status in North Jersey and parts of Boston The Skels profile was never as high as it should have been. Still going after 25 years so there is always a chance of well-deserved greatness happening. 

The Bloody Irish Boys: Auld St. PATRICK

May 10, 2011

Remember the Bloody Irish Boys? Its been a long time between releases – 6 years in fact since their somewhat controversial debut came out. Way back when myspace was king, the BIBs were kings of myspace with something like 50,000 friends – though there were a few voices raised that the BIBs were not a real band more a one man bedroom band that sounded way too close to Flogging Molly for comfort. Despite the criticism Drunk Rock was a very fine album.

So, 6 years and lots of things have changes – myspace is essentially dead, the Bloody Irish Boys are a real touring band (SXSW this year) and they don’t sound that much like Flogging Molly anymore – but that’s cos’ based on what we’ve heard of the new Flogging Molly album, Flogging Molly don’t sound like Flogging Molly anymore. So, if you’re looking for fast, guitar and fiddle driven, old fashioned Celtic punk Auld St. Patrick won’t disappoint.

Various Artists: Paddy Rock Radio Volume 1

First of all hats off to Paddy Rock Radio’s John Bowels for putting this comp together. As someone who has put together a similar project I know what’s involved in pulling everything together and believe me it can be a major pain in the ass. Chicago based Paddy Rock Radio is a peer Shite’n’Onions and a long time supporter of the Celtic/Punk scene. Paddy Rock Volume 1 is a celebration of the shows 5th anniversary  and is a collection of both classic and new Paddy Rock. Some of the the music on offer here will be very familiar (The Peelers, The Prodigals, Greenland Whalefishers and The Mahones) and some stuff is new even to me. The new bands to me that I loved and now want to check out further are Flatfoot 56 (bagpipes and hardcore), The Killigans (Flogging Molly like with feeling and great vocals), Switchback (Reggae’n’Irish).

Full band list: Flatfoot 56, The Peelers, The Bloody Irish Boys, The Killigans, Jackdaw, The Go Set, The Mahones, Switchback, The Prodigals, Greenland Whalefishers, IceWagon Flu, The Scuttlers, The Broken Shillelaghs

August 2005

http://www.paddyrock.com/http://www.cdbaby.com/cd/paddyr

The Bloody Irish Boys: Drunk Rock

BIB are a “band” that managed to cause a lot of controversy and piss off more then a few people on the strength of the track “Drunk Tonight” that they circulated as a mp3 prior to releasing “Drunk Rock” – the big piss off factor was that it was maybe just a little to close to Flogging Molly’s “Swagger” to be a coincidence. Now while the rest of the CD is still hugely influenced by Flogging Molly and SoCal punk (“My Wicked Ways” is a little to close to something of the Mike Ness solo CD whose title escapes me) there is nothing else that can be stamped with the rip-off accusation, and in fact everything is highly listenable (even if the traditional instruments are electronic studio creations) and top quality.  So let’s give the guy (BIB are basically a one man show) a break and some encouragement and support and remember nobody in this scene is truly original and even  the mighty Flogging Molly have been accused of lifting from others – remember “Another bag of Bricks” and the riff from “Swagger” itself sounds like it was lifted from Slade.

February 2005

http://www.thebloodyirishboys.com/