The Dirges: When Laughing Got You Killed

The Dirges are a loud sleazy punk’n’roll band from California – infact they are the house band of LA’s infamous Molly Malone’s – which as you all know as the birth place of Flogging Molly. So do The Dirges sound like Flogging Molly? Yes and no. Sure they are Punk’n’Irish but clones of FM – no way. It’s much more sleazy rock’n’roll guitars with a love of The Pogues (Dirty Old Town and Jessie James are covered and the band pay tribute to himself in The Ballad of Shane MacGowan). Closest comparison I can think of is a more Irish sounding Swingin Utters or a much more punky Filthy Thieving Bastards. Good stuff.

2008

Can Kickers: Live at Lavazone

Can Kickers are a 3 piece folk-punk outfit coming outta New London, CT. Recorded live in Philly in 2007 and live is the best way to experience Can Kickers in all their stripped down fiddle, banjo, and washboard lo-fi glory. In a different age these guys would be hobos playing the campfires and railroad boxcars of the American great depression.

2008

The Deans: One

Blood brothers Gavin (guitar) and Gary (bass) Dean along with their blues brother Gary Keon are a young band (ages 17 through 19) from Athenry, Galway. Being from Athenry you would expect tradition Irish music, right? Wrong, these guys have the blues like you wouldn’t believe. Think of fellow Irish man, Rory Gallagher or maybe Johnny Winters. I’ve a feeling Rory is looking down from heaven and he has a smile on his face. Thanks to Lee Templeton over at http://www.onenightatmcsorleys.com/ for passing on to me.

2008

Barleyjuice: Bonny Prince Barley

“Bonny Prince Barley” is the 4th full-lenght release from Philly’s Barleyjuice and I’m happy to say it’s very much in the vein of their previous 3 releases – classic rock on a whiskey bender in a spit and sawdust Philly Irish bar. I’m also very glad that the band has continued to stay on the track they set on “Six Yanks” and continue to focus on originals – though I do love the Celtic twist given to their cover of “London Calling”.

2008

Prydein – Loud Pipes: (save lives) – 2nd opinion

After reading through the Shite ‘n’ Onions review of Prydein’s Loud Pipes I was mighty intrigued. This sounded like a combination of two of my favorites styles of music; Celtic folk-punk and Classic Rock. And although the band does dip a toe into the pools of funk, ska, rockabilly, metal, and of course, Celtic music, they are at their heart a rock band.

The band, Prydein, is comprised of the bass, drums, and guitar line-up with the addition of not one, but two Great Highland Bagpipes players, and, as the disc title may suggest, the pipes are very predominantly featured throughout this release, taking a break on only two of the tracks, both uniquely arranged traditionals; the swinging rockabilly of ‘The Wild Rover’, and a laid-back, strolling ‘Nancy Whiskey’, with the latter tagging-in the tin whistle for ornamentation.

The CD runs the gamut from these traditional songs to a cover of Slade’s ‘Run Runaway’ (that almost smiles in pride of itself, and at what it has become,) to the delicate weaving of ‘Aria’s Waltz’, and wrapping the whole package up with a medley called ‘Stairway to Scotland’ that takes ‘Amazing Grace’ and ‘Scotland the Brave’ to a place more suited to crowd-surfing than funereal melancholy.

With seven of the eleven tracks being instrumentals, it is clear that the pipes do the talking for the lion’s share of the CD. But they a do have a lot to say, occasionally trading off licks with a lead guitar, with the band’s rhythm section provides a rock-steady forum for them to say it.

Most impressively, for me, anyways, is just how everything seems to fit together. Each tune/song gets a unique treatment from the band, but nothing seems unnatural or forced. All elements come together in a very organic mixture that covers a lot of ground but still remains securely in rock’s embrace.

My personal fave: Probably “The $17.00 Red Head.” It’s snaking shuffle-beat, a lazy, urban-groovin’ bass line and some sweet wah-wah guitar set an unlikely stage for a dueling-bagpipe melody that just keeps on building.

But, since this disc in currently out on iTunes, don’t take my word for it, grab a free, 30-second sample and see if you can sit perfectly still for it. I couldn’t.

2008

Review by Christopher Toler, THE Blathering Gommel

Big Bad Bollocks: Hanged at Gibbet Rock

Originally released in 1991, Big Bad Bollocks’ Hanged at Gibbet Rock has been re-released on the “Load a’Bollocks” label for 2008 and available through the bands website, along with their other fine products.

“…Gibbet Rock” starts off as strongly as any Bollocks release, (or even as strongly as any young Paddy-Punk band can hope to,) with the song “Whiskey in me tea” (and for an idea about what I mean, check out the video on YouTube, http://www.youtube.com/watch?v=AHNQ4BGjskc,) and keeps up that pace through the disc’s ten tracks including a beautiful rendition of “Sally Gordon,” and the appropriately enthusiastic standards, “Waxies Dargle” and “Leaving Liverpool.”

The original songs on this earlier release are all of the upbeat, party, “happy-drunk” variety that the Bollocks’ have become known for and have that same quality of an incidental Celtic lilt as well as lyrics that seem as much of a cathartic purging of unresolved issues as they do odes to, and about, Johnny Allen’s days gone by back home in his native Derbyshire.

There’s no denying that Mr. Allen’s got a powerful and distinct voice, and even on this earlier release his crooning bravado seems fully developed and presents as a comfortable and commanding entity directing the energy of each of the ten tracks. This does pose a bit of an inconvenience on the other instruments, however, relegating the majority of them further back in the mix, giving the disc less depth and polish than later Big Bad Bollocks’ offerings.

Although lacking the theme, finish and shine of the “Night on the Tiles’ or even the production depth of “Where the Beef Meets the Sea,” “Hanged at Gibbet Rock” presents as an early snapshot of the swaggering Johnny ‘Alien’ Allen and co. as a fledgeling outfit still developing their sound, and cruising past a point where many the lesser bands have peaked.

2008

Review by Christopher Toler, THE Blathering Gommel

The Dreadnoughts: Legends Never Die

This highly-anticipated release, (well, by me, anyways!) grabbed me immediately upon my first play through, living up to and even surpassing my expectations. No “How-do-you-dos” or needing to grow on me, No! Just here it is… BAM! A favorite new disc that I hadn’t heard before!

The Dreadnoughts’ sound is one of a driving, crunchy guitar at the helm of a tight and kinetic rhythm section that provides a dynamic underscore for the combination of traditional instruments that define each tune, specifically mandolin, fiddle, and one monster accordion. All these elements come together for an intricate and engaging backdrop for Ol’ Jimmy’s distinctive, rolling roar.

But at the end of the day, its the songs that carry the CD, and here is where Legends Never Die really shines! The disc’s 11 tracks include frantic and frenzied hornpipe and reel-based Celtic songs, and crashing and forceful whaling and maritime rants full of folk-tale, storytelling lyrics sung with fiery urgency, that blur the lines between contemporary songs and traditional tunes past the point of knowing where one ends and the other begins.

Legends Never Die may be the debut release by Vancouver quintet The Dreadnoughts, but it possesses all the confidence, muscle, and production of a seasoned outfit in the prime of their career.

Recommendation: You should really own this. Seriously.

2008

Review by Christopher Toler, THE Blathering Gommel

The Pubcrawlers: One Too Many Again

The Pubcrawlers, for those whose don’t know, is a ten-headed, sonic hydra belching out briny pub-shanties with infectious enthusiasm and a loaded arsenal at their disposal.

This beast is fronted by a salty-voiced pirate of a vocalist whose spleenful barking resembles something closer to enraged spoken-word poetry than actually singing, for a result perfectly befitting the nautically-themed songs on this, the band’s second full-length CD.

One Too Many Again is a 13-track collection of Celtic folk-punk songs/tunes with a strong pirate-sounding influence, (including a paean to The American Hockey League team out of Maine, The Portland Pirates!) on a large and varied collection of instruments including bagpipes, accordion, drums, fiddle, mandolin, guitars, banjo, bass, and tin whistle.

The high-impact, energetic assortment of songs and tunes extolls the virtues and pitfalls of the bottle, Lady Luck and that ficklest of mistresses, the sea. And although the entire release moves along at a pretty good clip with no real ballads, the band does include a guttural, yet particularly emotional version of ‘Back Home In Derry.’

The ‘Crawlers may enter the fray with one metric sh*tload of traditional instruments, (everything shy of the Tibetan anus flute!), but, to their credit, they don’t try to stuff all of their sounds in together for every minute, but instead create a rich, multi-layered sound of convincing sea ditties, mug-swingers and fist-pumpers.

So if you like your buckles swashed, your sea-dogs scurvy and your Celtic folk-punk with the sting of sea-spray, you may want to get yer hooks into this release.

2008

Review by Christopher Toler, THE Blathering Gommel

The Tossers: Gloating and Showboatin’ (Live on St. Patrick’s Day)

Live on St. Patrick’s Day indeed!!! Haven’t both the Dropkick Murphy’s and Shane MacGowan previously released Live on St. Patrick’s Day concerts? Basically, here we have a CD/DVD package of The Tossers live in their home town of Chicago on the big day in 2006. Live and in the raw is the best way to experience the Tossers and both the disk and DVD do a great job. In fact all that’s missing from experiencing the real live Tossers show is getting an elbow in the face and some clown pukeing on your shoes. Also, its nice to finally have a version of “Seven Drunken Nights” with Clay on vocals. The CD and DVD are both from the same set but there is also a whole bunch of additional live/bootleg/videos on the DVD. A great double disk and great value.

(PS I very almost slammed this release ‘cos I was pissed the Victory can’t seem to think to send Shite’n’Onions a review copy – then again I should be thankful I ain’t on their promo list ‘cos I can’t stand anything else on the Victory label.)

2008

The Mighty Regis: County Sligo

Any band named after the greatest Irish American of all time – Regis Philbin – is O.K. with me. Seriously though, The Mighty Regis are a very fine Celtic-punk band from Hollywood, California who along with The “Mighty” Dirges form the backbone of the scene at LA’s Molly Malone pub. Though The Regis are much more rooted in the traditional Irish sound then the more punky Dirges. The Pogues at full galloping Bottle of Smoke speed is the very obvious influence here. A twenty fuckin five to one winner.

2008

Potato-eating, Whiskey-drinking, Bog-trotting, CELTIC PUNK ROCK