Neck: Come Out Fighting

January 4, 2010

Anyone who’s been a long time reader of S’n’O will know that we here at Shite’n’Onions towers have been long time fans of the London based underdogs. In fact we nicked our bloody name from a Neck instrumental. So it’s with confidence we can say that not only is “Come Out Fighting” Neck’s best to date but it’s also one of the best Celtic-punk releases ever! In fact I could argue that both the band Neck and release “Come Out Fighting” defines what Celtic-punk is. Neck are rooted with one foot in Celtic music and one foot in punk unlike any other group. The attitude is punk, the guitars are strung with razor wire and so feckin incredibly loud!!!!!!!!! the band is steeped at the same time in traditional music – this isn’t a case of a band looking up the Clancy Brother on iTunes for material – this stuff is in their blood. If you’ve never heard Celtic Punk before and wonder what the fuss is about then there isn’t a better introduction then  “Come Out Fighting” (and oh yeah Pat Collier did an amazing job on the production)

Pipes And Pints – Until We Die

January 18, 2010

I have been listening to “Until We Die”, the first full-length release from the Czech quintet, Pipes and Pints all week. Since I first got it, in fact, and nothing else. You see, instead of just hearing a CD before reviewing it, I like to be REALLY familiar with it.

Yeah, I say that, but the fact of the matter is, I just can’t enough of this CD! There isn’t a dog on it! Every track is a full-tilt barn-burner that had me singing along, drumming on the dash, and really wishing I could catch a live show from these guys.

This was all the more welcomed considering when I first got it, I thought I would hear, well, something less. “A standard rock outfit,” I thought, “with a token trad. instrument. Been there.” Well, yeah, it is a standard rock outfit, (drums, bass, guitar, and vocals,) and a single trad. instrument, (bagpipes,) but there is a whole lot more going on here. Something harder to put a finger on.

“Until We Die” contains thirteen honest, and cliché-free tracks. There are no punked-up versions of old traditional Celtic tunes, (No “Scotland the Brave,” or “Danny Boy,”) or slow, mournful piping. In fact, aside from the band’s name, the bagpipes share no more of the spotlight than do the lead vocals, or the guitar, (the latter of which stretches out on occasion and runs some honest-to-goodness guitar solos, an increasingly uncommon thing in this genre!)

The pipes, themselves, seem to serve as a standard punk rock instrument on “Until We Die,” possessing only an incidental Celtability, and seem to be a completely natural element here. This has a great deal to do with the songs, of course. All of the tracks have a very natural, and organic feel to them, written simply for the instruments at hand and without any forced identity.

Pipes and Pints may well be deeply entrenched in the ‘Gangs All Here/Do Or Die’-era Dropkick Murphys-end of the Celtic Punk genre, but this is not just another copycat band. There is something very real about them and it is in full-dress here on “Until We Die.”

And, having totally immersed myself in this CD for a week now, I feel quite justified in highly recommending Pipes and Pints“Until We Die.”

Review by Christopher P. Toler, THE Blathering Gommel.

Smokey Bastard: Propping Up the Floor

December 16, 2009

Strong debut here from the Reading, England based Smokey Bastards. Rough, gravelly and mostly acoustic folk punk – influenced obviously by The Pogues. Though when they crank the power they can give Flogging Molly a run for their money – the cover of “Tell Me Ma” and originals “Sprocket” and “Boys Who Left The Band” prove that. Also reminiscent of two great but under recognized English bands The Whisky Priests and The Singing Lions. Check it out!

The Surfin Turnips: Return To Turbo Island

December 16, 2009

Return……is the 3rd album (do people still use the term “album” or am I just an old fart?) from The Surfin’ Turnips, a proudly regional English folk-punk band we’ve reviewed twice previously. Glad to say that like their main musical influence The Ramones, little or nothing has changed between releases – short catchy Ramones like punk, accordion, West Country accents, and familiar folk melodies – the little that has changes is that not every song is about drinking cider (now we have fishing and sheep shagging songs) – I guess we can call the “growth”

Black Irish Texas: To Hell With The King

December 16, 2009

Black Irish Texas is just such a feckin’ great name for a band! Bhoys, if you’ve any t-shirts send ’em my way. BIT are from Texas (obviously), and play Irish influenced punk-a-billy with a hint of Tex-Mex. The cover of The Pogues, “A pistol for Paddy Garcia” which intros “Come out you Black and Tans” is inspired and makes a huge statement to what the band are all about. The MacManus gang are dead. Long live the BIT.

Mactalla Mor: The New Colossus

December 16, 2009

I’m not sure if the name Mactalla is a word play on Metallica? Could be, but somehow doubt it. I often complain in reviews about bands lack of originality – I’m not going to here. The angelic female vocals singing in Gaelic and the piano hint Enya, the electronica points to New Age but the wailing Highland pipes scream tartan army in full charge (and oh yeah they throw in a little reggae‘n’pipes). In addition to originality all is done very well – I just can’t figure out who is their fan base.

http://www.mactalla.com/

Charm City Saints: Hooligans and Saints

November 13, 2009

Deceptive bugger this. You’re sucked into a state of tranquility as you listen to the traditional intro of Egan’s Polka – you picture yourself in the warm environs of a pub on the west coast of Ireland, nursing a Guinness, warming yourself on the blazing peat fire. That tranquility doesn’t last long as the pub door is kicked open by a bunch of heavily tattooed, Irish-American thugs who start to beat you hard about the head with the loudest guitars you’ve ever hears. All while the ceili band keeps playing. For fans of Dropkick Murphys, The Pubcrawlers, Flatfoot 56 and loud, aggressive music in general.

Cruel Seamus: The Irish Wake of Cruel Seamus

December 5, 2009

With a name like Cruel Seamus and former members of Ceann I was expecting “The Irish Wake of Cruel Seamus”  the new release from the New York area based Cruel Seamus to be a little jokey (at least). It’s not!  The former members of Gael Force and The Rising obviously have the steering wheel. That said the music here is strong melodic Celtic rock (not punk) with the emphasis on the fiddle as the Celtic weapon of choice. And that said! And with diversity our greatest strength (or so we are told) Cruel Seamus have experimented a wee bit with rap – the in your face “Irish pride” and the ska-ish “Beauty of your Creation” and regga-ish “3000 miles”. Long may the experiments continue.

The Rum Fellows: Okie Maritime Music for the Landlocked Pirate!!!

October 28, 2009

I’m sure in real life The Rum Fellows are nice guys who help little old ladies cross the road, rescue kittens stuck in trees and the like. Their music does not indicate that – after a lot of spins of “ Okie Maritime Music for the Landlocked Pirate ” – I picture a crew of crystal meth soaked white trash hillbilly’s who’ve high jacked the Pirates of the Caribbean ride at Disney while taking great pleasure in making all the 7 year olds they cut in front of cry.

Excellent stuff.

The Currency: The Currency

November 3, 2009

I been waiting almost a full year for The Currency to release their debut album – from the moment I first laid my ears on the incredible 888 single in fact. I can now happily attest that the bastard children of Fletcher Christian and Ned Kelly have made one amazing slab of Colonial folk punk* that will blow you away.

*folk rooted in the sounds of the British Isles with lyrics reflecting the colonial experience and a punk rock snarl only a case of XXXX can cause.

Potato-eating, Whiskey-drinking, Bog-trotting, CELTIC PUNK ROCK