Peter Berwick: Give It Time

December 2, 2010

Peter Berwick has been trying to live the dream for close on 30 years and the dream has taken him up and down the highway between Nashville and Chicago and every Redneck and dive bar on route – even with a stop-off on ABC’s Wife Swap where he donned a yellow chick suite but that’s another story. “Give It Time” sees Peter liquored up on cheap domestic beer and Kentucky whiskey and back in the rusty pick-up but this time he’s driving hard towards the punk clubs of Chicago where on his previous two releases (Only Bleeding & Another Day in Hell) he was cursing into Nashville. Without sounding cliched and repeating his press release he does fall between Strummer and Earle – Cowpunk at its best for those who wish Joe Strummer had more of a southern twang to his sound and Steve Earle turned it up to way past 12 – highly recommended especially is you hate canned Nashville.

The Kidney Stones: Raise ‘Em Up

November 14, 2010

The Kidney Stones are a Celtic/pirate punk band from Orlando, Florida and Raise ‘Em Up their debut (?) release. Very punky, with a bucket of blood worth of accordion to give a sea shanty/maritime grove (or should that be wave?). That, along the with the fearsome, growling, gruff Captains vocals of Casey O’Donnell backed up with his pirate chorus that would make some landlubbers walk the plank voluntary. Fans of pirate punk will love and even if you’ve no sea legs I’d recommend just so you could have a song titled “Whiskey, Vomit and Piss” in your collection – quite possibly the greatest song title of all time.

Auld Corn Brigade: A Fighters Lullabies

November 5, 2010

I always get a kick outta Germans playing Irish music and especially the Celtic-punk variety – the accented English and that Toutonic aggression and energy. The Auld Corn Brigade carry on that fine tradition of The Porters and Fiddlers Green – loud Celtic punk’n’roll. A Fighters Lullabies is very much in the style of The Porters “A Tribute to Arthur Guinness” – all the tracks are covers of tradition and rebel ballads give a serious German ass kicking – though I will say that while the style is like The Porters its just a wee bit mellower, maybe female lead  vocals. Never the less a very fine and enjoyable release.

Chris Skel: Sodden Psalms

September 16, 2010

Drunken, white-trash, New Jersey ho-down.

A growling, rowdy sing-along of dirty finger nails Nashville, meets the football terraces.

Late night songs from the bottom of a whiskey bottle.

Middle finger raised attitude and if you don’t like it you can go eff-off

How’s that for a stream of consciousness review?

Ronan MacManus: Strawberry Hill

September 14, 2010

Strawberry Hill is the debut solo release from Ronan MacManus, better know around these parts a vocalist of London-Irish Celtic rockers, The BibleCodeSundays. Strawberry Hill is very much coming from a different direction then anything the BibleCodes have done – Soulful and heartfelt acoustic rock, stripped down to barely guitar and piano accompanying Ronan’s rich vocals. The best points of reference would be Dempsey/Rice, David Grey and a certain (dare I say) Declan MacManus

Hugh Morrison: Robert Burns Rocks

September 9, 2010

On Robert Burns Rocks, Hugh presents us with a collection of tradition Scottish ballads – heavy on the accordion with the gruff vocals of Hugh supported by both members of Murder the Stout and the guitar of Johnny Rioux of The Street Dogs (Hugh has played and toured with The Street Dogs). In summary,Robert Burns Rocks is a folk-rock kick up the arse to the Scottish ballad tradition from a pair of size 11 Doc Martins.

http://www.hughmorrison.com/

The Mighty Regis: 21

September 5, 2010

The Mighty Regis are starting to make some waves following the release of 21 their 3rd release – 1st the Warped Tour and now a plug on day time TV from Kelly and Regis (who else?). Definitely a band to watch out and fortunately the music on 21 supports. No divergence from the style of the previous releases – West Coast punk meets Irish, very much in the style of Flogging Molly though with a much more pop-punk sensibility – kind of like comparing The Undertones to Stiff Little Fingers I’d say. I will say though that some times the lyrics verge a little too much into “Stage Orish” and that said still a contender of one of the best of 2010.

The Gentlemen: Stick To Your Guns

September 3, 2010

Stick To Your Guns is the name of the debut CD from Morgantown, West Virginia’s The Gentlemen, and a complete and accomplished sounding release it is. Oh, yeah, and a damned rocking one at that!

The Gentlemen are comprised of eight members armed with drums, tin whistle, bagpipes, electric guitar, acoustic guitar, bass guitar, mandolin and fiddle. Placed firmly down the Dropkick Murphys/Real McKenzies end of the Celtic Folk-Punk spectrum, with aggressive song delivery and chanting choruses. But these Gentlemen seem to place more emphasis on the inclusion of the traditional instruments, either as the main melody vehicle, (as with the bagpipes in War Time in North London, and the fiddle in Belfast Boy,) or simply as dancing on top of the power-chord-laden rock majority of the CD.

In fact, the strength of The Gentlemen’s sound on Stick To Your Guns lay in this balance. The trad. instruments are not assigned only to lead positions and ornamentation, but blended right in with the thick of things. Their pervasive influence gives the music herein a stronger, but more natural, Celtic feel.

Stick to your Guns has many highlights to it. The above mentioned “War Time in North London” and “Belfast Boy” are both excellent songs, but “All Alone” might be my favorite on the disc. It has a really slippery and lazy shuffle beat and a great percussive guitar riff that combines with the pipes for a sound that I just really dig.

For my money, the original material on Stick to your Guns is a just bit stronger than the two traditional covers included, (although listening toThe Gents’ rendition of “Come out You Black and Tans” is very convincing! I really felt like they were calling out for a throw-down!)

The Gentlemen do throttle back occasionally, if only somewhat, and with dramatic results. “Under the Rowan Tree” is a nostalgic mug-swinging singalong accompanied only by acoustic guitar and tin whistle.

I do wish that the band included their rendition of John Denver’s Country Roads on their debut, however. It really asserts The Gentlemen’s W. Virginia roots, captures their sound perfectly, and seriously kicks ass. (And the video for it on their MySpace page is simply excellent.) Hopefully,The Gentlemen will include this number on their next CD, which I will certainly be in line for!

Stick To Your Guns is a very thorough and mature sounding release for a debut. And The Gentlemen are definitely a band to keep an eye/ear open for.
Highly recommended stuff!

Review by Christopher P. Toler, THE Blathering Gommel

Fergus: Green Street

Fergus are a contemporary Irish traditional and folk group out of Worcester (pronounced Wooster locally) Massachusetts. Defiantly not Celtic punk and not even with the pretense of being Celtic rock but still with oodles of energy. So, if you’re looking for beautifully played contemporary Irish music this won’t disappoint and finally something of class coming out of Wooster!

The Kilmaine Saints: The Good, The Plaid and The Ugly

August 26, 2010

I wish I could has claimed to have found The Kilmaine Saints but I didn’t! They found me when they mailed me a copy of their debut CD, “The Good, The Plaid and The Ugly”. The Saints are an Irish-American, punk-rock band based out of PA and I would liken them to The PubCrawlers, Pipes and Pints, CCS, AC/DC and Dropkick Murphys of course – loud and rockin’ with loads of gang vocals and heavy on the bagpipes along with some Thin Lizzy-ish harmony guitar solos for good measure. Defiantly a strong debut and a band to keep an eye-on in the future.

http://www.kilmainesaints.com/new/

Potato-eating, Whiskey-drinking, Bog-trotting, CELTIC PUNK ROCK