Fucking side projects, Huh? What’s the deal with these damned things? If I thought the bass player of one of my all time favorite bands should be the singer I’d tell him so! Who is Drew to go out and do this? Well after checking out his website for the band at http://www.andrewgoodsight.com I was quite surprised the kid’s accomplishments! I still see him as the kid making out with some guys girlfriend in front of the men’s room of the Half Door, as the boyfriend rushes him I step in the way grabbing the guy and turning him around telling him he didn’t want that kind of trouble. Then having to walk the guys to the van so they didn’t get jumped by the boyfriend laying in wait outside!
He’s just a chill bass player that likes to have a good time and couldn’t be mellower to talk to, who knew he had it in him to write such soulful and colorful songs. Is it really Irish music, or even punk rock, well um no, but he’s been the bass player for the most influential and commanding Irish Icon rock bands for quite some time and he deserves this recognition. Besides he covers Christmas Lullaby and does it about 8 thousand times better than Shane ever could, mainly because Drew has all his front teeth!
There are twelve tracks on this CD that take you through a nice mellow ride of sound and consciousness. My favorite tracks are by far the title track, his two covers and Riffing for a Change. As far as dedicating a song to P2 the Black 47, well wrangler/tour guy/ driver/ roadie/ guru and straight man was in keeping with even though this is a serious release he has fun with it, the song you ask? The Amazing Spider Man theme song!
Go find this CD for two reasons, one you secretly need a chill out album in your collection of Macc Ladd’s, GG Allin, Gobshites, Flogging Molly and Dropkick Murphys. And secondly it’ll impress chicks that you enjoy this deep indie music.
Granddaddies of the whole Celtic-Rock scene in the US, B47 are back with their first studio album in 5 years – since the disappointing “Trouble in the Land.” “New York Town”, is Larry Kirwin’s attempt to compose a musical picture of his adopted home town, pre and post 9-11. I know on the sleeve Larry mentions Joyce and Ulysses and asks not to be compared but I do see a strong comparison in concept to Joyce’s “Dubliners” – a collection of unrelated short stories set in the general vicinity of a city (Dublin) in and around the same period of time, touching on the lives of ordinary people. On “New York Town”, like Joyce, Kirwin paints a picture of the lives of real people – the hero’s, the villains and working stiffs that make NYC the greatest city on the earth. Musically, NYT is B47s least “Irish” sounding release. B47 have always been the sound of the Irish ghettos of Queens and the Bronx sticking its toes into the pool of ethnic sounds of the rest of the city. But on NYT, B47 have taken that plunge head first and enveloped themselves in the sounds of the city as a whole. The additions of guests like David Johansen (New York Dolls) and Christine Ohlman adds some spice to the mix but on the other hand highlight the weaknesses in Larry’s own voice.
Who doesn’t miss Chris Byrne? Black ’47 lacks a certain toughness without the ex-cop uilleann piper, who left them to focus on his Celtic hip-hop group, Seanchai & Unity Squad. There’s a new uilleann piper, but his vocals aren’t very gruff. Still, so many of Black ’47’s songs are fun, catchy, even moving, and their horn-laden Irish-y pop rock sound is undeniably unique. As usual, if you can get past singer Larry Kirwan’s lectures and new-wave-y voice, and the fact that the drummer plays a goddamned drum machine, then you might want to pick this up. The disc does its part by accurately capturing a Black ’47 live set, complete with jigs and reggae jams; it’s up to you to fully replicate the experience by drinking Heineken, throwing cigarettes around, and whooping it up in a T-shirt that depicts a Bud Light logo within a shamrock.